Worth a
Thousand
Words

Gold Standard
Botanical Art

Enjoy some of the finest contemporary botanical artworks in the world-famous RHS Lindley collections. 

Botanical artists from all over the world compete to win a prestigious Gold Medal at RHS Shows. This display of artworks, collected over the past 20 years, demonstrates how artists have used a variety of media and techniques to capture the essence of plants in exquisite detail. 

We think they prove a painting really is ‘worth a thousand words.’

Hideo Horikoshi, Chrysanthemum × morifolium ‘Edo’ (Chrysanthemum)

Watercolour on paper, 2016-2017
© Hideo Horikoshi

The Edo-giku chrysanthemum date from the early 1800s. Hideo Horikoshi studied these classical Japanese flowers at the National Museum of Japanese History and the Shinjuku Gyoen National Garden. He completed his painting over two growing seasons, a year apart. He beautifully captures how the flowers’ petals twist as they mature.

Gold Medals: 2015 (and Best Botanical Painting), 2018


Jean Emmons, Iris ‘Wildest Imagining’

Watercolour on paper, 2005 © Jean Emmons

Jean Emmons has captured the intense and beautiful range of colours of her own award-winning Pacific Coast irises. A keen gardener herself, she creates the impression of plants seen growing in-situ, showing seed pods, buds and full blooms set amongst clumping foliage.

Gold Medals: 2005, 2011 (and Best Botanical Painting)


Regina Hagedorn, Rosa pimpinellifolia ‘Single Sherry’ (Rose)

Watercolour on paper, 2004 © Regina Hagedorn

Regine Hagedorn uses incredibly fine brush work to capture the detailed structure and deep colour of this rose. She contrasts the transient colour of the leaves as they change through the autumn against the striking form of the rose hip fruits.

Gold Medal: 1999, 2000, 2005 Silver-Gilt Medal: 1998


Sue J. Williams, Begonia ‘Red Robin’ (Begonia)

2008, Watercolour on paper © Sue J. Williams

Sue Williams made an extensive study of begonias in watercolour throughout the growing seasons of 2007 and 2008. The paintings that she made demonstrate how diverse the colour and pattern can be on these plants.

Gold Medal: 2008  Silver-Gilt Medal: 2006 Silver Medal: 2004


Louise Lane, Pteridium aquilinum (bracken)

2012, Graphite on paper © Louise Lane

Louise Lane spent months researching native ferns in the Peak District. The hart’s tongue fern grows in woodland and rocky crags, while bracken is found in upland areas. The drawings capture the way these plants grow, showing their fronds unfurling as they mature.

Gold Medal: 2011 (and Best Botanical Art Exhibit), 2019 Silver Medal: 2016


Carolyn Jenkins, Helleborus × hybridus (Hellebore)

2010, Watercolour on paper © Carolyn Jenkins

Carolyn Jenkins' work focuses on the anatomical structure of flowering plants. She takes inspiration from the late nineteenth-century botanical illustrator, Arthur Harry Church, who pioneered a ‘mechanical’ approach to drawing the inner structure of plants.

Gold Medal: 2011 (and Best Botanical Art Exhibit) Silver Medal: 2016


Caroline Jackson-Houlston, Passiflora ‘Jelly Joker’ (passion flower)

2018, Watercolour on paper © Caroline Jackson-Houlston

Caroline Jackson-Houlston starts a new piece of work by laying the plant specimen directly onto her paper. Once she has gained a rough layout of shapes, she lightly pencils in the geometric forms to create a design and then colour matches her pigments. 

Gold Medal: 2018 (and Best Botanical Art Exhibit) Silver-Gilt Medal: 2019 Silver Medals: 2000, 2001


Clare McGhee, Allium cepa (Onion)

Watercolour on paper, 2009 © Clare McGhee

In this technically challenging painting, Clare McGhee reveals the contrasting textures of the onion’s tangled roots against its ‘papery’ outer layers. She had to take particular care not to apply too much paint to maintain the translucency of the onion’s inner rings.

Gold Medal: 2010


Ann Farrer, Pinus wallichiana (Bhutan pine)

Mixed media on board, 1987 © Ann Farrer

Ann Farrer has captured the character of the Bhutan pine in spectacular detail. Painted from pine specimens grown at Wakehurst in Sussex, this was one of the first paintings purchased for the Lindley Library’s contemporary art collection in 1987.

Gold Medals: 1982, 1984, 1985, 1987, 1988, 1990


Laura Silburn, Dryopteris erythrosora (Japanese shield fern)

Watercolour on paper, 2018 © Laura Silburn

Laura Silburn won the award for Best Botanical Painting with this work at the RHS Plant & Art Fair in 2018. It forms part of a series of fern paintings which took three years to complete and beautifully demonstrates her talent for managing colour and texture.

Gold Medals: 2013, 2014 (and Best Exhibit), 2018 (and Best Botanical Painting)

Hideo Horikoshi

Chrysanthemum × morifolium ‘Edo’ (Chrysanthemum), 2016-2017

Hideo Horikoshi, Chrysanthemum × morifolium ‘Edo’ (Chrysanthemum)

Watercolour on paper, 2016-2017
© Hideo Horikoshi

The Edo-giku chrysanthemum date from the early 1800s. Hideo Horikoshi studied these classical Japanese flowers at the National Museum of Japanese History and the Shinjuku Gyoen National Garden. He completed his painting over two growing seasons, a year apart. He beautifully captures how the flowers’ petals twist as they mature.

Gold Medals: 2015 (and Best Botanical Painting), 2018

Hideo Horikoshi, Chrysanthemum × morifolium ‘Edo’ (Chrysanthemum), 2016-2017

Jean Emmons

Iris ‘Wildest Imagining’, 2005

Jean Emmons, Iris ‘Wildest Imagining’

Watercolour on paper, 2005
© Jean Emmons

Jean Emmons has captured the intense and beautiful range of colours of her own award-winning Pacific Coast irises. A keen gardener herself, she creates the impression of plants seen growing in-situ, showing seed pods, buds and full blooms set amongst clumping foliage.

Gold Medals: 2005, 2011 (and Best Botanical Painting)

Jean Emmons, Iris ‘Wildest Imagining’, 2005

Regine Hagedorn

Rosa spinosissima ‘Single Sherry’ (Rose), 2004

Regina Hagedorn,
Rosa pimpinellifolia ‘Single Sherry’ (Rose)

Watercolour on paper, 2004
© Regina Hagedorn

Regine Hagedorn uses incredibly fine brush work to capture the detailed structure and deep colour of this rose. She contrasts the transient colour of the leaves as they change through the autumn against the striking form of the rose hip fruits.

Gold Medal: 1999, 2000, 2005
Silver-Gilt Medal: 1998

Regine Hagedorn, Rosa pimpinellifolia ‘Single Sherry’ (Rose), 2004

Sue J. Williams

Begonia ‘Red Robin’ (Begonia), 2007-2008

Sue J. Williams, Begonia ‘Red Robin’ (Begonia)

2008, Watercolour on paper
© Sue J. Williams

Sue Williams made an extensive study of begonias in watercolour throughout the growing seasons of 2007 and 2008. The paintings that she made demonstrate how diverse the colour and pattern can be on these plants.

Gold Medal: 2008 
Silver-Gilt Medal: 2006
Silver Medal: 2004

Sue J. Williams,  Begonia ‘Red Robin’ (Begonia), 2007-2008

Louise Lane

Asplenium scolopendrium (Hart's tongue fern), 2011-2012

Louise Lane, Pteridium aquilinum (bracken)

2012, Graphite on paper
© Louise Lane

Louise Lane spent months researching native ferns in the Peak District. The hart’s tongue fern grows in woodland and rocky crags, while bracken is found in upland areas. The drawings capture the way these plants grow, showing their fronds unfurling as they mature.

Gold Medal: 2011 (and Best Botanical Art Exhibit), 2019
Silver Medal: 2016

Louise Lane,  Asplenium scolopendrium (Hart's tongue fern), 2011-2012

Carolyn Jenkins

Helleborus × hybridus (Hellebore), 2010

Carolyn Jenkins, Helleborus × hybridus (Hellebore)

2010, Watercolour on paper
© Carolyn Jenkins

Carolyn Jenkins' work focuses on the anatomical structure of flowering plants. She takes inspiration from the late nineteenth-century botanical illustrator, Arthur Harry Church, who pioneered a ‘mechanical’ approach to drawing the inner structure of plants.

Gold Medal: 2011 (and Best Botanical Art Exhibit)
Silver Medal: 2016

Carolyn Jenkins, Helleborus × hybridus (Hellebore), 2010

Caroline Jackson-Houlston

Passiflora ‘Jelly Joker’ (passion flower), 2018

Caroline Jackson-Houlston, Passiflora ‘Jelly Joker’ (passion flower)

2018, Watercolour on paper
© Caroline Jackson-Houlston

Caroline Jackson-Houlston starts a new piece of work by laying the plant specimen directly onto her paper. Once she has gained a rough layout of shapes, she lightly pencils in the geometric forms to create a design and then colour matches her pigments. 

Gold Medal: 2018 (and Best Botanical Art Exhibit)
Silver-Gilt Medal: 2019
Silver Medals: 2000, 2001

 Caroline Jackson-Houlston,  Passiflora ‘Jelly Joker’ (passion flower), 2018

Clare McGhee

Allium cepa (Onion), 2010

Clare McGhee, Allium cepa (Onion)

Watercolour on paper, 2009
© Clare McGhee

In this technically challenging painting, Clare McGhee reveals the contrasting textures of the onion’s tangled roots against its ‘papery’ outer layers. She had to take particular care not to apply too much paint to maintain the translucency of the onion’s inner rings.

Gold Medal: 2010

Clare McGhee, Allium cepa (Onion), 2009

Ann Farrer

Pinus wallichiana (Bhutan pine), 1987

Ann Farrer, Pinus wallichiana (Bhutan pine)

Mixed media on board, 1987
© Ann Farrer

Ann Farrer has captured the character of the Bhutan pine in spectacular detail. Painted from pine specimens grown at Wakehurst in Sussex, this was one of the first paintings purchased for the Lindley Library’s contemporary art collection in 1987.

Gold Medals: 1982, 1984, 1985, 1987, 1988, 1990

Ann Farrer, Pinus wallichiana (Bhutan pine), 1987

Laura Silburn

Dryopteris erythrosora (Japanese shield fern), 2018

Laura Silburn, Dryopteris erythrosora (Japanese shield fern)

Watercolour on paper, 2018
© Laura Silburn

Laura Silburn won the award for Best Botanical Painting with this work at the RHS Plant & Art Fair in 2018. It forms part of a series of fern paintings which took three years to complete and beautifully demonstrates her talent for managing colour and texture.

Gold Medals: 2013, 2014 (and Best Exhibit), 2018 (and Best Botanical Painting)

Laura Silburn, Dryopteris erythrosora (Japanese shield fern), 2018

Created by RHS Lindley Library.

Based at the Royal Horticultural Society’s headquarters at Vincent Square in London, the Lindley Library holds a world-class collection of horticultural books, journals and botanical art.

Supported by the National Lottery Heritage Fund.

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