The Gardener's Assistant
by Robert Thompson (1859)
“If a gardener were limited to the choice of only one implement, that which he would retain as the most useful, would be the spade”
Robert Thompson was the first Curator of Fruit at the Royal Horticultural Society’s Chiswick garden. His extremely popular gardening manual, The Gardener’s Assistant (1859) drew on the practical experience and scientific knowledge he had gained in this role, covering everything from fruit growing to gardening tools.
Portrait of Robert Thompson from the Gardener’s Chronicle. Credit: RHS Lindley Collections.
Portrait of Robert Thompson from the Gardener’s Chronicle. Credit: RHS Lindley Collections.
Despite its formal and authoritative tone, Thompson’s manual offered sound advice whether you were Head Gardener on a large estate or a private gardener with more modest ambitions. The book remained popular throughout the second of the 19th century with numerous new editions including a full revision by another notable gardener, William Watson.
Colour lithograph of plums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.
Colour lithograph of plums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.
Colour lithograph of Pompone Chrysanthemums after an original by Augusta Withers. From The Gardeners Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.
Colour lithograph of Pompone Chrysanthemums after an original by Augusta Withers. From The Gardeners Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.
The Wild Garden
by William Robinson (1870)
“We may do this by naturalising or making wild innumerable beautiful natives of our woods, wild and semi-wild places... and in unoccupied places in almost every kind of garden”
The Wild Garden (1870) is a rallying call against the rigid formality of the traditional Victorian garden – or ‘the dark ages of flower gardening’. Its author, William Robinson, argues passionately against the convention of stuffy formal bedding in favour of looser naturalistic (though still picturesque) planting schemes.
The frontispiece to the first edition of William Robinson’s Wild Flower Garden, 1870 includes a quote from Sir Francis Bacon: “I wish it to be framed, as much as may be, to a natural wildnesse”. Credit: RHS Lindley Collections.
The frontispiece to the first edition of William Robinson’s Wild Flower Garden, 1870 includes a quote from Sir Francis Bacon: “I wish it to be framed, as much as may be, to a natural wildnesse”. Credit: RHS Lindley Collections.
Robinson was a prolific and outspoken gardening writer and publisher. He was inspired by the Arts and Crafts Movement and believed that Nature should be the source of all true design. His own work, in turn, inspired the ‘wild gardening’ movement and a more plant-led approach to garden design. Robinson came to be known as ‘the father of the English flower garden.’
Illustration from Robinson’s chapter on ‘Wild gardening on walls or ruins’, in The Wild Garden, 1870. Credit: RHS Lindley Collections.
Illustration from Robinson’s chapter on ‘Wild gardening on walls or ruins’, in The Wild Garden, 1870. Credit: RHS Lindley Collections.
Colour in the Flower Garden
by Gertrude Jekyll (1908)
“The duty we owe our gardens and our bettering in our gardens is so to use the plants that they shall form beautiful pictures”
Gertrude Jekyll (1843–1932) originally trained as an artist and like her friend, William Robinson, took inspiration from the Arts and Crafts Movement. However, she was also armed with botanical expertise and an understanding of the science of colour.
Approaching gardening with a painterly but exacting eye, she revolutionised the use of colour in planting schemes. She encouraged fellow gardeners to use bold but harmonious colour-combinations to create beautiful waves of colour in herbaceous borders and elsewhere in the garden.
Portrait of Gertrude Jekyll at her home in Godalming aged 80. From Gertrude Jekyll: a memoir by Francis Jekyll, 1934. Credit: RHS Lindley Collections.
Portrait of Gertrude Jekyll at her home in Godalming aged 80. From Gertrude Jekyll: a memoir by Francis Jekyll, 1934. Credit: RHS Lindley Collections.
This vibrant approach is at the heart of Jekyll’s Colour in the Flower Garden (1908) – ironically a book that was originally produced in black and white.
Black and white photograph of lilies from the frontispiece of Colour in the Garden, 1908. Credit: RHS Lindley Collections.
Black and white photograph of lilies from the frontispiece of Colour in the Garden, 1908. Credit: RHS Lindley Collections.
The Vegetable Garden Displayed
The Royal Horticultural Society (1941)
“This is a Food War. Every extra row of vegetables in allotments saves shipping… The battle on the Kitchen Front cannot be won without help from the Kitchen Garden.
During the Second World War, growing food was a matter of national pride and importance. To support the Government’s ‘Dig for Victory’ campaign, the RHS published The Vegetable Garden Displayed – an authoritative booklet supporting gardeners on the Home Front to dig, sow seeds, and harvest their own produce.
Having learnt from the food shortages of WW1, with the outbreak of WW2, the government launched the ‘Dig for Victory’ campaign to mobilise the population to grow their own fruit and veg. Image: Postcard of the Dig for Victory poster published by the Ministry of Information in 1940. Credit: RHS Lindley Collections.
Having learnt from the food shortages of WW1, with the outbreak of WW2, the government launched the ‘Dig for Victory’ campaign to mobilise the population to grow their own fruit and veg. Image: Postcard of the Dig for Victory poster published by the Ministry of Information in 1940. Credit: RHS Lindley Collections.
Though the Dig for Victory campaign inspired a publishing boom in gardening guides, few were as popular as The Vegetable Garden Displayed. Its expert advice was tried and tested at the RHS Wisley vegetable trials and its step-by-step photographic guide made it easy to follow. The booklet was an essential tool in the fight to feed the nation and soon became the Society’s most successful publication of all time.
‘How to dig’ in The Vegetable Garden Displayed, 1941. Credit: RHS Lindley Collections.
‘How to dig’ in The Vegetable Garden Displayed, 1941. Credit: RHS Lindley Collections.