Gardening by the Book

A history of gardening in 12 books

Good gardening manuals are invaluable and they have been around for longer than you might think.

The RHS Lindley Library has delved into its collections and chosen 12 of the best from the past 500 years. From the first gardening manual in English to some of our favourites today, these books speak volumes about changing gardening trends through the ages.

Read on to discover a fascinating story of gardening tips and techniques told through 12 influential, practical and often beautiful books of gardening advice from the RHS Lindley Library Collections.

Detail of illustration from The Profitable Arte of Gardening
Portrait of the author in The Profitable Arte of Gardening by Thomas Hill, 1558
Illustration from The Gardeners Labyrinth by Thomas Hill, 1586.
Detail of illustration from The Profitable Arte of Gardening
Portrait of the author in The Profitable Arte of Gardening by Thomas Hill, 1558
Illustration from The Gardeners Labyrinth by Thomas Hill, 1586.

The Profitable Arte of Gardening

by Thomas Hill (c.1558)

A most briefe and pleasaunte treatise, teachyng how to dresse, sowe, and set a garden”
Original title of the first edition of Hill's book, published in 1558

Thomas Hill’s Profitable Arte of Gardening was the first dedicated gardening manual to be published in English – a milestone in horticultural literature. The author recognised the growing popularity of gardening in England and that a guide in the vernacular tongue was long overdue.

Hill’s gardening manual aimed to share the pleasure and profits of tending a garden in a cheap, accessible and practical work “for the commoditie of many”.

Image: Describing himself as a ‘Londoner’, Hill was an established writer and translator of popular books on science and the supernatural. Portrait of the author in The Profitable Arte of Gardening by Thomas Hill, 1568 edition. Credit: RHS Lindley Collections.

The book satisfied the appetite of an increasingly literate readership hungry for gardening knowhow and ran to many further editions. While Hill draws heavily on classical writers such as Aristotle and Theophrastus, it is his own passion for gardening that shines through. 

Image: Thomas Hill went on to write an even more successful book on gardening in 1577 using the unusual pseudonym, Didymus Mountain. This woodcut from the volume shows garden watering techniques. The Gardeners Labyrinth by Thomas Hill, 1586 edition. Credit: RHS Lindley Collections.

Image: The Gardeners Labyrinth by Thomas Hill, 1586 edition. Credit: RHS Lindley Collections.

Detail from illustration in The Gardeners Dictionary by Philip Miller.
Colour engraving of the Madagascan Periwinkle (Vinca) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758
Colour engraving of the Castor Bean plant (Ricinus) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758
Colour engraving of the Yarrow plant (Achillea) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758
Detail from illustration in The Gardeners Dictionary by Philip Miller.
Colour engraving of the Madagascan Periwinkle (Vinca) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758
Colour engraving of the Castor Bean plant (Ricinus) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758
Colour engraving of the Yarrow plant (Achillea) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758

The Gardeners Dictionary

by Philip Miller (1731)

“I have asked several of the greatest horticulturalists […]  what book they had found to be the best in horticulture. They have all answered with one mouth, Miller's Gardeners Dictionary”
Swedish explorer and botanist, Pehr Kalm in 1753

Philip Miller’s Gardeners Dictionary captures the more scientific approach to gardening that had emerged by the 1700s. It reveals an Enlightenment appetite for understanding the biology of plants, their natural habitats and cultivation requirements. It also reflects the boom in plant introductions from the Americas, which had led to significant strides in the study and practice of horticulture.

Image: Philip Miller obtained the seeds for this Madagascan flower from Paris and then cultivated them in the Chelsea Physic Garden. Colour engraving of the Madagascan periwinkle (Vinca) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758. Credit: RHS Lindley Collections.

The many editions of the Dictionary published throughout the 18th century provide a fascinating record of the evolution of gardening at the time. This highly influential work also appealed to an expanding demographic, with its extensive list of subscribers ranging from high society gentlemen, to ladies and professional gardeners.

Image: Colour engraving of the Castor bean plant (Ricinus) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758. Credit: RHS Lindley Collections.

Image: Colour engraving of a Yarrow plant (Achillea) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758. Credit: RHS Lindley Collections.

The City Gardener

by Thomas Fairchild (1722)

“Every one in London, or other Cities … may delight themselves in Gardening, tho' they have never so little Room”

Thomas Fairchild (c.1667-1729) was a renowned nurseryman and horticulturist from Hoxton in London. His book, The City Gardener (1722), was the first to deal specifically with urban gardening and its challenges, from space restrictions to pollution. Fairchild introduced his readers to a world of plants and trees that could thrive in the often harsh conditions of the city.


Image: Fairchild’s introduction to The City Gardener, 1722. Credit: RHS Lindley Collections.

The creation of a successful book of gardening advice was of course also a perfect way for Fairchild to advertise his nursery business in Hoxton and to raise his public profile. The use of gardening manuals for commercial promotion had become increasingly common amongst nurserymen and professional gardeners at the time.

Image: Fold-out page of succulents sold at Fairchild’s nursery in Hoxton from Patrick Blair’s Botanick Essays, 1720. Credit: RHS Lindley Collections.

The Ladies Flower Garden

by Jane Wells Loudon (1840)

“Good books on gardening are generally written for professed gardeners, who are supposed to know all the elementary parts beforehand; and most books for beginners contained only arbitrary directions…”

The Ladies Flower Garden was not the first gardening text aimed at women. However, earlier attempts had tended to be written by men with very traditional ideas of ‘proper’ feminine gardening pursuits. Jane Wells Loudon (1807-1858) challenged such views by writing highly practical guides to gardening aimed specifically at a female readership.

Image: One of Jane Loudon’s botanical illustrations for her Ladies' flower Garden of Ornamental Annuals, 1842. Hand-coloured lithograph plate of Chrysanthemum. Credit: RHS Lindley Collections.

From the early 1840s, she wrote numerous books accessible to the female amateur that were not afraid to tackle the grittier aspects of gardening. Her clear and conversational style encourages women to take up their spades and confidently undertake tasks that they might have previously thought ‘beyond their capabilities’. Loudon went on to found the Ladies Magazine of Gardening and was a self-taught artist who illustrated many of her own books

Image: Frontispiece of Jane Loudon’s Gardening for Ladies: with a calendar of operations and directions for every month in the year, 1843. Credit: RHS Lindley Collections.

The Gardener's Assistant

by Robert Thompson (1859)

 “If a gardener were limited to the choice of only one implement, that which he would retain as the most useful, would be the spade”

Robert Thompson was the first Curator of Fruit at the Royal Horticultural Society’s Chiswick garden. His extremely popular gardening manual, The Gardener’s Assistant (1859) drew on the practical experience and scientific knowledge he had gained in this role, covering everything from fruit growing to gardening tools.

Image: Portrait of Robert Thompson from the Gardener’s Chronicle. Credit: RHS Lindley Collections.

Despite its formal and authoritative tone, Thompson’s manual offered sound advice whether you were Head Gardener on a large estate or a private gardener with more modest ambitions. The book remained popular throughout the second of the 19th century with numerous new editions including a full revision by another notable gardener, William Watson.

Image: Colour lithograph of plums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.

Image: Colour lithograph of Pompone Chrysanthemums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.

The Wild Garden

by William Robinson (1870)

“We may do this by naturalising or making wild innumerable beautiful natives of our woods, wild and semi-wild places... and in unoccupied places in almost every kind of garden”

The Wild Garden (1870) is a rallying call against the rigid formality of the traditional Victorian garden – or ‘the dark ages of flower gardening’. Its author, William Robinson, argues passionately against the convention of stuffy formal bedding in favour of looser naturalistic (though still picturesque) planting schemes.

Image: The frontispiece to the first edition of William Robinson’s Wild Flower Garden, 1870 includes a quote from Sir Francis Bacon: “I wish it to be framed, as much as may be, to a natural wildnesse”. Credit: RHS Lindley Collections.

Robinson was a prolific and outspoken gardening writer and publisher. He was inspired by the Arts and Crafts Movement and believed that Nature should be the source of all true design. His own work, in turn, inspired the ‘wild gardening’ movement and a more plant-led approach to garden design. Robinson came to be known as ‘the father of the English flower garden.’

Image: Illustration from Robinson’s chapter on ‘Wild gardening on walls or ruins’, in The Wild Garden, 1870. Credit: RHS Lindley Collections.

Colour in the Flower Garden

by Gertrude Jekyll (1908)

“The duty we owe our gardens and our bettering in our gardens is so to use the plants that they shall form beautiful pictures”

Gertrude Jekyll (1843–1932) originally trained as an artist and like her friend, William Robinson, took inspiration from the Arts and Crafts Movement. However, she was also armed with botanical expertise and an understanding of the science of colour.

Approaching gardening with a painterly but exacting eye, she revolutionised the use of colour in planting schemes. She encouraged fellow gardeners to use bold but harmonious colour-combinations to create beautiful waves of colour in herbaceous borders and elsewhere in the garden.

Image: Portrait of Gertrude Jekyll at her home in Godalming aged 80. From Gertrude Jekyll: a memoir by Francis Jekyll, 1934. Credit: RHS Lindley Collections.

This vibrant approach is at the heart of Jekyll’s Colour in the Flower Garden (1908) – ironically a book that was originally produced in black and white.

Image: Black and white photograph of lilies from the frontispiece of Colour in the Garden, 1908. Credit: RHS Lindley Collections.

Detail of front cover of The Vegetable Garden Displayed
Dig for Victory poster
Page from The Vegetable Gardne Displayed, on how to dig a trench
Detail of front cover of The Vegetable Garden Displayed
Dig for Victory poster
Page from The Vegetable Gardne Displayed, on how to dig a trench

The Vegetable Garden Displayed

The Royal Horticultural Society (1941)

“This is a Food War. Every extra row of vegetables in allotments saves shipping… The battle on the Kitchen Front cannot be won without help from the Kitchen Garden.”
Lord Woolton, Government Minister of Food, preface to The Vegetable Garden Displayed, 1941

During the Second World War, growing food was a matter of national pride and importance. To support the Government’s ‘Dig for Victory’ campaign, the RHS published The Vegetable Garden Displayed – an authoritative booklet supporting gardeners on the Home Front to dig, sow seeds, and harvest their own produce.

Having learnt from the food shortages of WW1, with the outbreak of WW2, the government launched the ‘Dig for Victory’ campaign to mobilise the population to grow their own fruit and veg. Image: Postcard of the Dig for Victory poster published by the Ministry of Information in 1940. Credit: RHS Lindley Collections.

Though the Dig for Victory campaign inspired a publishing boom in gardening guides, few were as popular as The Vegetable Garden Displayed. Its expert advice was tried and tested at the RHS Wisley vegetable trials and its step-by-step photographic guide made it easy to follow. The booklet was an essential tool in the fight to feed the nation and soon became the Society’s most successful publication of all time.

Image: ‘How to dig’ in The Vegetable Garden Displayed, 1941. Credit: RHS Lindley Collections.

Detail of the front cover of The House Plant Expert
Page on positioning plants from The House Plant Expert
Page on cacti from the House Plant Expert
Detail of the front cover of The House Plant Expert
Page on positioning plants from The House Plant Expert
Page on cacti from the House Plant Expert

The House Plant Expert

by D. G. Hessayon (1961)

“Forget about green fingers. Anyone can grow house plants and make them look attractive. If everything dies as soon as you take it home, then you are making a serious basic mistake and the answer is in these pages.”

After the Second World War, the boundaries of gardening shifted beyond the garden borders into the home. A vogue for houseplants and indoor gardening took hold.

Image: A guide to how to position your house plant in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.

Inspired by Scandinavian modernist interior design, David Hessayon created the Expert Series of books, publishing the first, Be Your Own gardening Expert in 1958. The House Plant Expert was a worthy addition to the series in 1961. Its bold and informative illustrations capture everything you could ever need to know about houseplants and their care. The book went on to sell over 10 million copies and is still one of the bestselling guides to houseplants in the world.

Image: A guide to popular cacti to grow in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.

Detail of spread from The Dry Garden by Beth Chatto

Image: The Dry Garden by Beth Chatto, 1998 edition published by Weidenfeld & Nicolson. Drawings by Margaret Davies.

Portrait of Beth Chatto
Front cover of The Dry Garden, Beth Chatto
Detail of spread from The Dry Garden by Beth Chatto

Image: The Dry Garden by Beth Chatto, 1998 edition published by Weidenfeld & Nicolson. Drawings by Margaret Davies.

Portrait of Beth Chatto
Front cover of The Dry Garden, Beth Chatto

The Dry Garden

by Beth Chatto (1979)

I am an East Anglian, born and bred, so coping with a dry garden is no new phenomenon but a way of life.”

Beth Chatto (1923–2018) was one of the most influential gardeners and eminent horticultural writers of our time. She pioneered a wider cultural shift towards more environmentally friendly gardening techniques.

Image: Portrait of Beth Chatto in her garden in Essex. Credit: RHS / Tim Sandall.

Chatto’s doctrine of “right plant, right place” is at the heart of her classic work The Dry Garden. She shows that plants thrive best in conditions similar to their natural habitat where they will require less attention and less watering to flourish. Chatto argues that this approach to ‘sympathetic’ planting will allow us to garden in a more sustainable way in the future.

Image: Cover of the 1998 edition of The Dry Garden by Beth Chatto, published by Weidenfeld & Nicolson. Artwork by Margaret Davies.

How to make a Wildlife Garden front cover
Illustration, planning a wildlife garden
How to make a Wildlife Garden front cover
Illustration, planning a wildlife garden

How to Make a Wildlife Garden

by Chris Baines (1985)

“Even the smallest of back yards can house a lot of wildlife. Ivy against the wall shelters nesting birds; a pile of rotting logs is just the place for toads to lurk…”

Published over a century apart, How to Make a Wildlife Garden (1985) takes a very different approach to that proposed by Thomas Robinson in The Wild Garden (1870). Chris Baines’ focus is not on the visual appeal of a ‘wild’ garden but instead on the value of its biodiversity. Rather than trying to master nature, we should work with it to nurture the wildlife that is so essential to a balanced ecosystem.

Chris Baines launched How to Make a Wildlife Garden at the 1985 Chelsea Flower Show – which was also the year that he designed the Show’s first ever wildlife garden. The book continues to be a popular and much sought after work for keen gardeners seeking to work in harmony with nature.

Image: ‘Planning the garden as a habitat for you and your wildlife’ from How to make a Wildlife Garden by Chris Baines, 1985 (illustration from the 2000 edition).

RHS Plant Finder 2020

Credit: RHS / Anthony Masi

Old copies of the RHS Plant Finder
RHS Plant Finder 2020

Credit: RHS / Anthony Masi

Old copies of the RHS Plant Finder

The RHS Plant Finder

The Royal Horticultural Society (published annually since 1987)

“For garden designers, ‘The Plant Finder’ offers an indispensable list of ingredients, while horticultural writers use it for reference.”
Janet Cubey, Plant Finder Editor-in Chief

Since 1987, the RHS has published The Plant Finder – a treasure trove of horticultural information. This comprehensive guide offers expert advice about the myriad plants that are available today and how to find them for your garden.

The current edition lists 81,000 plants and 530 nurseries, but the directory is reviewed each year to provide the gardener with up-to-date information. Used by amateurs and professionals alike, The Plant Finder shows how far modern gardening manuals have come, easily available both physically and digitally – something that Thomas Hill could never have imagined back in the 16th Century!

Credit: RHS / Anthony Masi.

The Profitable Arte of Gardening
by Thomas Hill (c.1558)

“A most briefe and pleasaunte treatise, teachyng how to dresse, sowe, and set a garden”
Original title of the first edition of Hill's book, published in 1558

Thomas Hill’s Profitable Arte of Gardening was the first dedicated gardening manual to be published in English – a milestone in horticultural literature. The author recognised the growing popularity of gardening in England and that a guide in the vernacular tongue was long overdue.

Hill’s gardening manual aimed to share the pleasure and profits of tending a garden in a cheap, accessible and practical work “for the commoditie of many”.

The book satisfied the appetite of an increasingly literate readership hungry for gardening knowhow and ran to many further editions. While Hill draws heavily on classical writers such as Aristotle and Theophrastus, it is his own passion for gardening that shines through. 

Describing himself as a ‘Londoner’, Hill was an established writer and translator of popular books on science and the supernatural.

Portrait of the author in The Profitable Arte of Gardening by Thomas Hill, 1568 edition Credit: RHS Lindley Collections.

Portrait of the author in The Profitable Arte of Gardening by Thomas Hill, 1568 edition Credit: RHS Lindley Collections.

Thomas Hill went on to write an even more successful book on gardening in 1577 using the unusual pseudonym, Didymus Mountain. This woodcut from the volume shows garden watering techniques.

The Gardeners Labyrinth by Thomas Hill, 1586 edition. Credit: RHS Lindley Collections.

The Gardeners Labyrinth by Thomas Hill, 1586 edition. Credit: RHS Lindley Collections.


The Gardeners Dictionary
by Philip Miller (1731)

“I have asked several of the greatest horticulturalists […]  what book they had found to be the best in horticulture. They have all answered with one mouth, Miller's Gardeners Dictionary ”
Swedish explorer and botanist, Pehr Kalm in 1753

Philip Miller’s Gardeners Dictionary captures the more scientific approach to gardening that had emerged by the 1700s. It reveals an Enlightenment appetite for understanding the biology of plants, their natural habitats and cultivation requirements. It also reflects the boom in plant introductions from the Americas, which had led to significant strides in the study and practice of horticulture.

The many editions of the Dictionary published throughout the 18th century provide a fascinating record of the evolution of gardening at the time. This highly influential work also appealed to an expanding demographic, with its extensive list of subscribers ranging from high society gentlemen, to ladies and professional gardeners.

Philip Miller obtained the seeds for this Madagascan flower from Paris and then cultivated them in the Chelsea Physic Garden. Image: Colour engraving of the Madagascan periwinkle (Vinca) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

Philip Miller obtained the seeds for this Madagascan flower from Paris and then cultivated them in the Chelsea Physic Garden. Image: Colour engraving of the Madagascan periwinkle (Vinca) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

Colour engraving of the Castor bean plant (Ricinus) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

Colour engraving of the Castor bean plant (Ricinus) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

Colour engraving of a Yarrow plant (Achillea) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

Colour engraving of a Yarrow plant (Achillea) from Figures of the ... plants described in The gardeners dictionary by Philip Miller, 1758 Credit: RHS Lindley Collections.

The City Gardener
by Thomas Fairchild (1722)

“Every one in London, or other Cities … may delight themselves in Gardening, tho' they have never so little Room”.

Thomas Fairchild (c.1667-1729) was a renowned nurseryman and horticulturist from Hoxton in London. His book, The City Gardener (1722), was the first to deal specifically with urban gardening and its challenges, from space restrictions to pollution. Fairchild introduced his readers to a world of plants and trees that could thrive in the often harsh conditions of the city.

Fairchild’s introduction to The City Gardener, 1722. Credit: RHS Lindley Collections.

Fairchild’s introduction to The City Gardener, 1722. Credit: RHS Lindley Collections.

The creation of a successful book of gardening advice was of course also a perfect way for Fairchild to advertise his nursery business in Hoxton and to raise his public profile. The use of gardening manuals for commercial promotion had become increasingly common amongst nurserymen and professional gardeners at the time.

Fold-out page of succulents sold at Fairchild’s nursery in Hoxton from Patrick Blair’s Botanick Essays, 1720. Credit: RHS Lindley Collections.

Fold-out page of succulents sold at Fairchild’s nursery in Hoxton from Patrick Blair’s Botanick Essays, 1720. Credit: RHS Lindley Collections.


The Ladies Flower Garden by Jane Wells Loudon (1840)

“Good books on gardening are generally written for professed gardeners, who are supposed to know all the elementary parts beforehand; and most books for beginners contained only arbitrary directions…”

The Ladies Flower Garden was not the first gardening text aimed at women. However, earlier attempts had tended to be written by men with very traditional ideas of ‘proper’ feminine gardening pursuits. Jane Wells Loudon (1807-1858) challenged such views by writing highly practical guides to gardening aimed specifically at a female readership.

One of Jane Loudon’s botanical illustrations for her Ladies' flower Garden of Ornamental Annuals, 1842. Hand-coloured lithograph plate of Chrysanthemum. Credit: RHS Lindley Collections.

One of Jane Loudon’s botanical illustrations for her Ladies' flower Garden of Ornamental Annuals, 1842. Hand-coloured lithograph plate of Chrysanthemum. Credit: RHS Lindley Collections.

From the early 1840s, she wrote numerous books accessible to the female amateur that were not afraid to tackle the grittier aspects of gardening. Her clear and conversational style encourages women to take up their spades and confidently undertake tasks that they might have previously thought ‘beyond their capabilities’. Loudon went on to found the Ladies Magazine of Gardening and was a self-taught artist who illustrated many of her own books

Frontispiece of Jane Loudon’s Gardening for Ladies: with a calendar of operations and directions for every month in the year, 1843. Credit: RHS Lindley Collections.

Frontispiece of Jane Loudon’s Gardening for Ladies: with a calendar of operations and directions for every month in the year, 1843. Credit: RHS Lindley Collections.


The Gardener's Assistant
by Robert Thompson (1859)

 “If a gardener were limited to the choice of only one implement, that which he would retain as the most useful, would be the spade”

Robert Thompson was the first Curator of Fruit at the Royal Horticultural Society’s Chiswick garden. His extremely popular gardening manual, The Gardener’s Assistant (1859) drew on the practical experience and scientific knowledge he had gained in this role, covering everything from fruit growing to gardening tools.

Portrait of Robert Thompson from the Gardener’s Chronicle. Credit: RHS Lindley Collections.

Portrait of Robert Thompson from the Gardener’s Chronicle. Credit: RHS Lindley Collections.

Despite its formal and authoritative tone, Thompson’s manual offered sound advice whether you were Head Gardener on a large estate or a private gardener with more modest ambitions. The book remained popular throughout the second of the 19th century with numerous new editions including a full revision by another notable gardener, William Watson.

Colour lithograph of plums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.

Colour lithograph of plums after an original by Augusta Withers. From The Gardener's Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.

Colour lithograph of Pompone Chrysanthemums after an original by Augusta Withers. From The Gardeners Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.

Colour lithograph of Pompone Chrysanthemums after an original by Augusta Withers. From The Gardeners Assistant by Robert Thompson, 1859. Credit: RHS Lindley Collections.


The Wild Garden
by William Robinson (1870)

“We may do this by naturalising or making wild innumerable beautiful natives of our woods, wild and semi-wild places... and in unoccupied places in almost every kind of garden”

The Wild Garden (1870) is a rallying call against the rigid formality of the traditional Victorian garden – or ‘the dark ages of flower gardening’. Its author, William Robinson, argues passionately against the convention of stuffy formal bedding in favour of looser naturalistic (though still picturesque) planting schemes.

The frontispiece to the first edition of William Robinson’s Wild Flower Garden, 1870 includes a quote from Sir Francis Bacon: “I wish it to be framed, as much as may be, to a natural wildnesse”. Credit: RHS Lindley Collections.

The frontispiece to the first edition of William Robinson’s Wild Flower Garden, 1870 includes a quote from Sir Francis Bacon: “I wish it to be framed, as much as may be, to a natural wildnesse”. Credit: RHS Lindley Collections.

Robinson was a prolific and outspoken gardening writer and publisher. He was inspired by the Arts and Crafts Movement and believed that Nature should be the source of all true design. His own work, in turn, inspired the ‘wild gardening’ movement and a more plant-led approach to garden design. Robinson came to be known as ‘the father of the English flower garden.’

Illustration from Robinson’s chapter on ‘Wild gardening on walls or ruins’, in The Wild Garden, 1870. Credit: RHS Lindley Collections.

Illustration from Robinson’s chapter on ‘Wild gardening on walls or ruins’, in The Wild Garden, 1870. Credit: RHS Lindley Collections.


Colour in the Flower Garden
by Gertrude Jekyll (1908)

“The duty we owe our gardens and our bettering in our gardens is so to use the plants that they shall form beautiful pictures”

Gertrude Jekyll (1843–1932) originally trained as an artist and like her friend, William Robinson, took inspiration from the Arts and Crafts Movement. However, she was also armed with botanical expertise and an understanding of the science of colour.

Approaching gardening with a painterly but exacting eye, she revolutionised the use of colour in planting schemes. She encouraged fellow gardeners to use bold but harmonious colour-combinations to create beautiful waves of colour in herbaceous borders and elsewhere in the garden.

Portrait of Gertrude Jekyll at her home in Godalming aged 80. From Gertrude Jekyll: a memoir by Francis Jekyll, 1934. Credit: RHS Lindley Collections.

Portrait of Gertrude Jekyll at her home in Godalming aged 80. From Gertrude Jekyll: a memoir by Francis Jekyll, 1934. Credit: RHS Lindley Collections.

This vibrant approach is at the heart of Jekyll’s Colour in the Flower Garden (1908) – ironically a book that was originally produced in black and white.

Black and white photograph of lilies from the frontispiece of Colour in the Garden, 1908. Credit: RHS Lindley Collections.

Black and white photograph of lilies from the frontispiece of Colour in the Garden, 1908. Credit: RHS Lindley Collections.


The Vegetable Garden Displayed
The Royal Horticultural Society (1941)

“This is a Food War. Every extra row of vegetables in allotments saves shipping… The battle on the Kitchen Front cannot be won without help from the Kitchen Garden.
Lord Woolton, Government Minister of Food in the preface to The Vegetable Garden Displayed, 1941.

During the Second World War, growing food was a matter of national pride and importance. To support the Government’s ‘Dig for Victory’ campaign, the RHS published The Vegetable Garden Displayed – an authoritative booklet supporting gardeners on the Home Front to dig, sow seeds, and harvest their own produce.

Having learnt from the food shortages of WW1, with the outbreak of WW2, the government launched the ‘Dig for Victory’ campaign to mobilise the population to grow their own fruit and veg. Image: Postcard of the Dig for Victory poster published by the Ministry of Information in 1940. Credit: RHS Lindley Collections.

Having learnt from the food shortages of WW1, with the outbreak of WW2, the government launched the ‘Dig for Victory’ campaign to mobilise the population to grow their own fruit and veg. Image: Postcard of the Dig for Victory poster published by the Ministry of Information in 1940. Credit: RHS Lindley Collections.

Though the Dig for Victory campaign inspired a publishing boom in gardening guides, few were as popular as The Vegetable Garden Displayed. Its expert advice was tried and tested at the RHS Wisley vegetable trials and its step-by-step photographic guide made it easy to follow. The booklet was an essential tool in the fight to feed the nation and soon became the Society’s most successful publication of all time.

‘How to dig’ in The Vegetable Garden Displayed, 1941. Credit: RHS Lindley Collections.

‘How to dig’ in The Vegetable Garden Displayed, 1941. Credit: RHS Lindley Collections.


House Plant Expert
by D.G Hessayon (1961)

“Forget about green fingers. Anyone can grow house plants and make them look attractive. If everything dies as soon as you take it home, then you are making a serious basic mistake and the answer is in these pages.”

After the Second World War, the boundaries of gardening shifted beyond the garden borders into the home. A vogue for houseplants and indoor gardening took hold.

A guide to how to position your house plant in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.

A guide to how to position your house plant in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.

Inspired by Scandinavian modernist interior design, David Hessayon created the Expert Series of books, publishing the first, Be Your Own Gardening Expert in 1958. The House Plant Expert was a worthy addition to the series in 1961. Its bold and informative illustrations capture everything you could ever need to know about houseplants and their care. The book went on to sell over 10 million copies and is still one of the bestselling guides to houseplants in the world.

A guide to popular cacti to grow in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.

A guide to popular cacti to grow in the home. From The Houseplant Expert, by D.G. Hessayon, 1980 edition.


The Dry Garden
by Beth Chatto (1979)

Detail from The Dry Garden by Beth Chatto, 1998 edition published by Weidenfeld & Nicolson. Drawings by Margaret Davies.

Detail from The Dry Garden by Beth Chatto, 1998 edition published by Weidenfeld & Nicolson. Drawings by Margaret Davies.

“I am an East Anglian, born and bred, so coping with a dry garden is no new phenomenon but a way of life.”

Beth Chatto (1923–2018) was one of the most influential gardeners and eminent horticultural writers of our time. She pioneered a wider cultural shift towards more environmentally friendly gardening techniques.

Portrait of Beth Chatto in her garden in Essex. Credit: RHS / Tim Sandall.

Portrait of Beth Chatto in her garden in Essex. Credit: RHS / Tim Sandall.

Chatto’s doctrine of “right plant, right place” is at the heart of her classic work The Dry Garden. She shows that plants thrive best in conditions similar to their natural habitat where they will require less attention and less watering to flourish. Chatto argues that this approach to ‘sympathetic’ planting will allow us to garden in a more sustainable way in the future.

Cover of the 1998 edition of The Dry Garden by Beth Chatto, published by Weidenfeld & Nicolson. Artwork by Margaret Davies.

Cover of the 1998 edition of The Dry Garden by Beth Chatto, published by Weidenfeld & Nicolson. Artwork by Margaret Davies.


How to Make a Wildlife Garden
by Chris Baines (1985)

Cover photograph of the 2000 edition of How to Make a Wildlife Garden, first published 1985.

Cover photograph of the 2000 edition of How to Make a Wildlife Garden, first published 1985.

“Even the smallest of back yards can house a lot of wildlife. Ivy against the wall shelters nesting birds; a pile of rotting logs is just the place for toads to lurk…”

Published over a century apart, How to Make a Wildlife Garden (1985) takes a very different approach to that proposed by Thomas Robinson in The Wild Garden (1870). Chris Baines’ focus is not on the visual appeal of a ‘wild’ garden but instead on the value of its biodiversity. Rather than trying to master nature, we should work with it to nurture the wildlife that is so essential to a balanced ecosystem.

‘Planning the garden as a habitat for you and your wildlife’ from How to make a Wildlife Garden by Chris Baines, 1985 (illustration from the 2000 edition).

‘Planning the garden as a habitat for you and your wildlife’ from How to make a Wildlife Garden by Chris Baines, 1985 (illustration from the 2000 edition).

Chris Baines launched How to Make a Wildlife Garden at the 1985 Chelsea Flower Show – which was also the year that he designed the Show’s first ever wildlife garden. The book continues to be a popular and much sought after work for keen gardeners seeking to work in harmony with nature.


The RHS Plant Finder,
The Royal Horticultural Society
(published annually since 1987)

Front cover of the 2020 RHS Plant Finder. Credit: RHS / Anthony Masi.

Front cover of the 2020 RHS Plant Finder. Credit: RHS / Anthony Masi.

“For garden designers, ‘The Plant Finder’ offers an indispensable list of ingredients, while horticultural writers use it for reference.”
Janet Cubey, Plant Finder Editor-in Chief

Since 1987, the RHS has published The Plant Finder – a treasure trove of horticultural information. This comprehensive guide offers expert advice about the myriad plants that are available today and how to find them for your garden.

RHS Plant Finders over the years. Credit: RHS / Anthony Masi

RHS Plant Finders over the years. Credit: RHS / Anthony Masi

The current edition lists 81,000 plants and 530 nurseries, but the directory is reviewed each year to provide the gardener with up-to-date information. Used by amateurs and professionals alike, The Plant Finder shows how far modern gardening manuals have come, easily available both physically and digitally – something that Thomas Hill could never have imagined back in the 16th Century!

Gardening by the Book has brought together what we believe are some of the most influential and inspiring British gardening manuals from the RHS Lindley Collections.

However, we would love to know what you think. Which books have most inspired you in your gardening? Have any particularly stood the test of time or helped with an especially tricky gardening conundrum? Join the conversation on social media and let us know @RHSLibraries

Created by RHS Lindley Library.

Based at the Royal Horticultural Society’s headquarters at Vincent Square in London, the Lindley Library holds a world-class collection of horticultural books, journals and botanical art.

Heritage Fund logo

Supported by the National Lottery Heritage Fund.

Find us on Twitter and Facebook.